The Smuse: a Situated Cognition Approach to Interactive Music Composition

نویسنده

  • Sylvain Le Groux
چکیده

The evolution of computer-based music systems has gone from computer-aided composition, which transposed the traditional paradigms of music composition to the digital realm, to complex feedback systems that allow for rich multimodal interactions. Yet, a lot of interactive music systems still rely on outdated principles in the light of modern situated cognitive systems design. Moreover, the role of human emotional feedback, arguably an important feature of musical experience, is rarely taken into account into the interaction loop. We propose to address these limitations by introducing a novel situated synthetic interactive composition framework called the SMuSe (for Situated Music Server). The SMuSe is based on the principles of parallelism, situatedness, emergence and emotional feedback and is built on a cognitively plausible architecture. It addresses questions at the intersection of music perception and cognition while being used as a creative tool for interactive music composition.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Situated Music: An Application to Interactive Jogging

We define Situated Music as a framework that selects and plays a tune according to a situation. The selected and played tune itself is also referred to as Situated Music. In this paper, we describe Interactive Jogging, that is an application of Situated Music for jogging. Measuring pitch acceleration with an accelerometer attached on a headphone, we estimate a mileage of the jogging. And then w...

متن کامل

Exploring the Multi-Layered Affordances of Composing and Performing Interactive Music with Responsive Technologies

The question motivating the work presented here, starting from a view of music as embodied and situated activity, is how can we account for the complexity of interactive music performance situations. These are situations in which human performers interact with responsive technologies, such as sensor-driven technology or sound synthesis affected by analysis of the performed sound signal. This re...

متن کامل

Computational Modeling of Mind and Music

Music can be defi ned as organized sound material in time. This chapter explores the links between the development of ideas about music and those driven by the concept of the embodied mind. Music composition has evolved from symbolic notated pitches to converge onto the expression of sound fi ligrees driven by new techniques of instrumental practice and composition associated with the developme...

متن کامل

Interactive Public Sound Art: a case study

Physically situated public art poses significant challenges for the design and realization of interactive, electronic sound works. Consideration of diverse audiences, environmental sensitivity, exhibition conditions, and logistics must guide the artwork. We describe our work in this area, using a recently installed public piece, Transition Soundings, as a case study that reveals a specialized i...

متن کامل

A Framework for Music-based Interactive Sonification

In this paper, a framework for interactive sonification is introduced. It is argued that electroacoustic composition techniques can provide a methodology for structuring and presenting multivariable data through sound. Furthermore, an embodied music cognition driven interface is applied to provide an interactive exploration of the generated music-based output. The motivation and theoretical fou...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2012